How streetwear labels are remixing heritage motifs for a new generation
Silk brocade patterns are showing up on hoodies. Designers say it's about ownership, not nostalgia.
By Bao Ngo · June 8, 2025 · 5 min read
Brocade patterns once reserved for áo dài and ceremonial wear are increasingly showing up on hoodies, bomber jackets, and sneaker collaborations from a small but growing wave of Vietnamese American streetwear labels — a shift some older community members initially found jarring, and one that founders describe as a deliberate, considered choice rather than a stylistic accident.
"There's a version of this that's just slapping a dragon print on a t-shirt, and there's a version that actually understands what the pattern meant and why," said one label founder, who works with a textile historian to source and adapt traditional motifs before putting them into production. He estimates roughly a third of his customers are non-Vietnamese, a fact he's made peace with as long as the pieces are made and marketed with what he considers appropriate context.
Reception within the community has been mixed. Some older customers have pushed back on ceremonial patterns appearing on casual streetwear, viewing it as a dilution of something meant to be worn with formality and occasion. Younger customers, and several designers themselves, frame it differently: not dilution, but a claiming of visual language that previous generations had less power to control the use of.
"My mom wore áo dài because it was expected. I'm choosing to reference it because I want to," said one 24-year-old designer whose graphic hoodies incorporating traditional lacquer-painting motifs sold out within days of a recent drop. "Those aren't the same relationship to the pattern, and I don't think they need to be."